MY FIRST STORY COLLECTION! OVER 40 YEARS IN THE MAKING!

Wednesday, February 26, 2025

WHAT EVER HAPPENED TO ZYX?


Doing things the “right” way, the way everybody tells me it’s supposed to be done, often doesn’t work for me. But of course, I have to try it, just to make sure.


Over a year ago, I finished Zyx; Or, Bring Me the Brain of Victor Theremin, and figured I needed to shop it around the big, New York publishers. Well, it’s taken this long for a couple of agents to decide it wasn’t their kind of thing and wish me luck in finding someone who could work with me. I figure if I keep sending it around for another decade or two I might find one.


The problem is, I ain’t getting any younger and I’m close to 70. I’m in great health, but who knows how many decades I have left? And my patience has been running low lately.


So, I’m giving up on New York, the big time, Zyx being a bestseller, and making me rich enough to retire from my day job to write all my bucket list novels.


Whenever I mention that I’ve finished another novel to a small press, they ask me to consider them. I’ve decided to give them a try, so I’m making a list, and scanning the horizon.


I’ve also revised my proposal for Zyx, this time, ditching all the advice about being “commercial” and about considering the concerns of the corporate world.


As a treat for your loyal readers, I’m presenting it here:


*******************




ZYX; Or, Bring Me the Brain of Victor Theremin is like a cross between Hitchhiker’s Guide to the Galaxy and Fear and Loathing in Las Vegas–several simultaneous cross country chases taking place in an apocalyptic time, and oh yeah, there’s an alien invasion. The Singularity is happening but collapsing under its own weight. AIs are trying to take over but are confused by the chaotic nature of humans and civilization. Access to technology has caused governments, big business, and crime syndicates to overlap in alarming and unpredictable ways. Search engines are ready to go to war with each other the way nations used to. Automated kaiju are evolving their own agendas, far different than what was intended by the entertainment industry that created them. Victor Theremin, down-and-out Chicano science fiction writer who has spent his life cultivating chaos as a means of adapting to change, has suddenly become a commodity – or at least his brain has. And now he’s on the run.


Fortunately, Victor is not without his allies, though many of them are more like frenemies – writers, artists, scientists, anarchists— and his female African American “intern.” A powerful network of AIs partnered with him years earlier, dazzling him with their graphene nanotechnology, hoping to adapt his philosophy of life into their strategies for creative problem-solving. Multiple ex-wives and ex-girlfriends are still invested in his survival, even while they’re trying to avoid entanglement in his schemes. When he’s kidnapped then kicks his way out of the prison and goes on the run, it’s a mad dash across the Southwest to see which colliding agendas will produce the biggest explosion. There’s UFOs, sasquatches, chupacabras, ayahuasca, secret black and Chicano space programs, Nazis, neohippies, and a lot of buffaloes. The very thing that Victor is trying to avoid may be the solution – and the salvation of the world. 


TRIGGER WARNING: THE ALIENS DO UNNATURAL THINGS TO THE PRESIDENT OF THE UNITED STATES!


How is this book similar to other novels? It’s in the spirit of Harlan Ellison and Dangerous Visions Besides Douglas Adams and Hunter S. Thompson, readers may be reminded of Philip K. Dick, Kurt Vonnegut, and Ishmael Reed. Its On-the-Road qualities may inspire some comparisons to Jack Kerouac and Tom Robbins, and the more psychedelic passages could be compared with William S. Burroughs.  


How is this book different? Unlike Dune and Harry Potter, which take the King Arthur approach to story: a Chosen One suffers through travails, learns lessons, and then saves the day, this novel has more of a Don Quixote approach. Characters stumble around, tilting at windmills and misunderstanding the events unfolding around them, arriving at the solution only after they muster the wit to interpret their failures. The result is funnier than Neuromancer. Hubris is celebrated and chaos gives birth to new possibilities.


Thursday, February 20, 2025

CHICANONAUTICA AGAIN, COMMITS DANGEROUS EDUCATION

 


Chicanonautica announces my next teaching gig, over at La Bloga.


Everybody wants to be a writer:



Even all kinds of Chicanoids:



In a world going stark, raving sci-fi:



Making dystopia while out wait:

 


Wednesday, February 12, 2025

DISPATCHES FROM THE LAST DANGEROUS VISIONS: ARE WE DANGEROUS YET?



And now, the stories, the visions. The other stuff is fun, but they’re what it’s all about.


But first, what is a dangerous vision?


The first volume was an attempt to break down the taboos of the American science fiction magazines and their pulp traditions. By the time the second volume came out, a revolution in the genre was well on its way. The world was changing, too.


Just what is a dangerous vision all these decades later—in another century?


I could write a long essay on the subject, but this is about TLDV, so let’s put my opinions aside and get to the stories–the visions themselves . . .


ASSIGNMENT NO.1 Stephen Robinett:


The AngloAmerican taboo of death and what we do when the old folks get old and nonfunctional gets addressed. Not bad, but after all these decades, it seems like typical fare. Or maybe I’ve just gotten too intimate with the Angel of Death in the last few years . . . 



HUNGER Max Brooks:


I sneered at first. Mel’s kid–who writes those zombie books? But what do I know? It gets a WOW! Turns out Max is a senior fellow at the Modern War Institute at West Point, New York, knows a lot of stuff and inherited some talent from his parents. A near future war that ain’t the usual “military” sci-fi stuff where it’s all playing soldier with new toys. This time it affects the food industry. The next war always has an element of the unexpected, and usually changes civilization as we know it. And no zombies.



INTERMEZZO 1: BROKEN, BEAUTIFUL BODY ON BEACH - D.M. Rowels


A short poetic piece with images like an early DalĂ­ painting, questioning the idea of what is beautiful. Short, bittersweet, and to the point. What I like to call aesthetic terrorism.


NONE SO DEAF Richard E. Peck


PTSD deafness triggered by grief. Interesting display of what it’s like to live without sound. I would have liked it more if it had gone more badass sci-fi than literary depression.


INTRODUCTION TO ED BRYANT’S “WAR STORIES” Harlan Ellison


The only one of the intros he managed to write, so deserves to be reviewed. It’s a fun, witty blast of Harlan being Harlan. I enjoyed it, but despite the pleasure, he’s avoiding the subject at hand. Probably a taste of why he couldn’t write the others. 



WAR STORIES Ed Bryant


Another winner! A truly dangerous vision. What science/speculative fiction should be. Can our society survive a shark's-eye view of itself? Hey, transhumanists! Read this before going on with your foolish fantasies about leaving our magnificent animal and biological heritage behind. The hot, wet, sticky mess is a lot of fun, and we need it even with the newfangled cybernetics.


Also: Ed Bryant was one of the great writers of the New Wave and he is largely forgotten today. Godfuckndamnit! Wonder if I can find any of his books? He deserved a lot better.


INTERMEZZO 2: BEDTIME STORY D.M.  Rowles


This one capsulizes the whole idea of science fiction—and dangerous visions—in a few paragraphs. Like a nonvisual Gahan Willson cartoon.


So far we have death and aging, war and starvation, beauty, the sense of hearing, war (again) and our bizarre species, and science fiction itself called into question. The inner punk kid in me is amused, and my contemporary jaded adult was actually impressed a few times.


More to come . . .


Thursday, February 6, 2025

CHICANONAUTICA SEES XICANX FUTURISM COMING . . .



See it in Chicanonautica, over at La Bloga.


Just in time for the mass deportations:



It’s Xicanx:



And futurism:



Who knows here it could go?