I’m
always on the lookout for science fiction from outside the
Norteamerico English-speaking zone. Sci-fi pretends to span galaxies
and has been flirting with Chinese imports and Afrofuturism, but in reality most of it is
still by and about white people who are a fraction of the U. S. of A. How
do people squeeze their minds into those cramped, little worlds?
So
I decided to give H+ incorporated,
the first novel in English by French author Gary Dejean, a go.
I’m
also curious about what Europeans are thinking about the future, even
though I’ve started to think of cyberpunk as an artifact from the
twentieth century, but then these days it’s becoming a short term
for the expanding world of transhumanism, and other developments.
H+
incorporated
delivers the c-punk goods. We get humans incorporating technologies
into their bodies--we might even say their souls--and young people
struggling to survive in dystopian future, that shows the cyberculture
is becoming global and there is a lot of resentment and anger about
the mess the older generations (mine included) have made of the
world.
There
wasn’t any of the Francofuturism I was hoping for, but it is
implied that the young people of France have a taste for marijuana as
well as angst.
Also,
cyberpunk that goes back to good ol’ 1984 has developed from a
revolutionary movement into a venerable, even respected genre.
Dejean
does give it a fresh slant, fusing transhumanist body augmentation
with fast and furious action, and a gorehound sensibility that moves
at a pace that will satisfy readers who grew up playing video games.
I
admire the professionalism of it, even though I had some minor
gripes, but then I read in the author bio that H+
incorporated was
adapted from a screenplay that Dejean is trying to get produced.
Again, professionalism.
What
I took for lazy writing--characters who are only referred to as the
rasta, the Latino,
and
the
Japanese
are questionable in a traditional novel, but common practice in
screenplays. That and setting it Manila, in the Philippines, but not
providing details to make the reader feel
it is screenplayese.
This
isn’t a traditional novel, but I do love the novelistic detail. It makes for a better reading experience.
Gary Dejean is writing for the brave, new improved world. Old farts like me should pay attention.